Sunday, October 14, 2012

What The Swedish Pirate Party Wants With Patents, Trademarks, And

19

Infopolicy ? Christian Engstr?m

Infopolicy ? Christian Engstr?m

This afternoon, I?ll make a presentation to a group of patent lawyers in Stockholm, with the title ?What does the Pirate Party want with Patents, Trademarks, and Copyright??. Here?s a rough summary of what I?m about to tell them, including a few links that will probably get mentioned.

Patents should be abolished as soon as possible. An increasing amount of research, predominantly in the United States, shows us that the patent system as a whole has a negative effect on society. It can be positive for specific actors (mostly pharma companies and patent trolls), but for society as a whole, the patent system is damaging to innovation, to competition, and to economic growth.

The study The Case Against Patents (25 pages) by Michele Boldrin and David Levine at Washington University in St Louis is a good read on our view of the patent system (summary here).

When it comes to pharmaceutical patents, we agree that it?s not feasible to abolish the patent system and hope that the market makes sure enough research just happens anyway. Therefore, we?d like to replace pharmaceutical patents with the system known internationally as delinkage. It means that pharmaceutical research is financed directly from the public coffers, with research results made freely available for anyone to use in any way, spurring a free competition between manufacturers of generic (non-patent-encumbered) drugs. This system would save at least half of the taxpayers? bill for pharmaceuticals, while at the same time channeling more money to research. As a positive side-effect, besides the savings, it would also save hundreds of thousands ? or millions ? of lives in the third world.

When it comes to patents in all other areas, we?re willing to listen to anybody and everybody who believes they can show that the patent system provides any kind of net positive effect to society in additional areas, but so far, nobody has been able to show such a net positive (with the exception of pharma). In every such case, the burden of proof is on those who argue for an introduction or continuation of these governmentally-sanctioned monopolies, and not on us who argue for their abolition.

Trademarks are basically good, as they primarily serve as consumer protection. If it says ?Coca-Cola? on the can, I know that The Coca-Cola Company guarantees its quality. If I am dissatisfied with the product, I know where I can go to complain, but if I like it, I also know where I can go to get more. This also gives the trademark system a long-term effect of rewarding good and honest companies. While this is a positive effect, the protection of consumers is the foundation and the most important.

In some countries, like France and Italy, the trademark rights have grown to also include punishments for consumers who buy counterfeit goods (either because they want to, or because they were fooled to). This is a bad development that we?re firmly against. The legitimacy of the trademark system comes from protecting consumers. Should it be distorted into legislation that punishes consumers, like patents and copyrights do, it would lose its legitimacy.

Compared to patents and copyrights, it seems that the trademark business has kept their house cleaner against degenerate subversion, and the trademark practices haven?t fallen for the same unhealthy expansion as the patent and copyright laws have. There have been a few upsetting cases of abuse or attempted abuse, like when Louis Vuitton tried to censor a Danish artist ?to protect its brand? (it?s likely they haven?t done anything more damaging to the brand in modern years), or when a guitar maker who got the phrase ?Born to Rock? registered as a trademark for guitars starts suing T-shirt vendors to ban them from printing the phrase at all, despite clearly not being used as a trademark in the latter case.

This type of abuse must be fought down, primarily by the industry itself, secondarily by the courts, and tertiarily by legislators if nothing else works. But the foundation of trademark law remains sound: forcing and rewarding honesty towards consumers.

Copyright must be reformed. We?d like to keep the copyright monopoly for commercial use (but with shorter, more sensible terms of protection). The big problem is that copyright has expanded in the past 20 years, going from being something that only corporations needed to care about, into something that criminalizes the entire young generation (and more and more people who aren?t even particularly young anymore).

The Swedish Pirate Party wants to;

  • Legalize file-sharing and other non-commercial sharing of culture between private individuals, both up- and downloading. As a direct consequence, search engines like The Pirate Bay will also be legal, as nobody can be charged with ?aiding and abetting? an activity that is fully legal in itself (the file-sharing between private individuals).
  • At most 20 years of protection from the publication of a work. Among other things, this also solves the problem with orphan works and the ?black hole of the 20th century?.
  • Registration after five years. Rightsholders who want to keep using their commercial monopoly after the first five years must register their works, so that commercial users who want to pay for use know where they can get a license to do so. This also solves the problem with orphan works.
  • Sensible regulation for quotations, parodies, and remixes even when it comes to audio, video and more (today, you can only quote text ? Ed.), and a harmonization within the EU of exceptions to copyright (?exceptions and limitations?).
  • A ban on DRM (digital restriction mechanisms), or at a bare minimum, making it explicitly legal to break digital restriction mechanisms if needed for any use that is itself legal.

If we reform copyright law according to this proposal, it would solve 99% of the serious problems that today?s copyright causes, while at the same time, 99% of the business models that work today in the entertainment and cultural sectors would keep doing so if the companies would adapt ever so slightly to a new world.

It?s not just the Swedish Pirate Party that thinks copyright law should be reformed like this. Since one year back, it?s also the official position of the entire Green group in the European Parliament.

There?s more on this proposal for copyright reform in the book The Case For Copyright Reform, written by me and Rick Falkvinge, the founder of the Pirate Party. The book is available for a free download as an e-book, or available at-cost as a print-on-demand book, at copyrightreform.eu.

This is a translation of an article originally in Swedish at MEP Engstr?m?s blog.

You've read the whole article. Why not subscribe to the RSS flow using your favorite reader, or even have articles delivered by mail?

About The Author: Christian Engstr?m

Christian Engstr?m is a Member of European Parliament (MEP) for the Swedish Pirate Party. He has previously been an activist in FFII in the fight against software patents, and has a background as an entrepreneur and a coder.

Source: http://falkvinge.net/2012/10/13/what-the-swedish-pirate-party-wants-with-patents-trademarks-and-copyright/

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C/++, you're on notice! - Computers, Math, Science, and Technology

Smartalex
Sea Gull
Sea Gull

Joined: Apr 12, 2012
Age: 28
Posts: 249


PostPosted: Sat Oct 13, 2012 4:54 pm?? ?Post subject: C/++, you're on notice! Reply with quote

Grievances with C;

I have to tell you NOT do do something?!? That's stupid. I'm the programmer, I tell you what to do.
"VOID" SETUP or "VOID" LOOP? I'll tell you what C, if I want you to bring me back a value, I, will tell YOU, to bring me back a value. Don't go doing stuff on your own!

INT, integer, really?!? The last time I paid attention to math class was fifth grade. Call it "name" or "address" or anything better than "InTEger". You might as well just write the language in Greek.

C/++, you're on notice!

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MyFutureSelfnMe
Phoenix
Phoenix

Joined: Feb 27, 2010
Posts: 1219
Location: NYC


PostPosted: Sat Oct 13, 2012 5:22 pm?? ?Post subject: Re: C/++, you're on notice! Reply with quote

Smartalex wrote:
Grievances with C;

I have to tell you NOT do do something?!? That's stupid. I'm the programmer, I tell you what to do.
"VOID" SETUP or "VOID" LOOP? I'll tell you what C, if I want you to bring me back a value, I, will tell YOU, to bring me back a value. Don't go doing stuff on your own!

INT, integer, really?!? The last time I paid attention to math class was fifth grade. Call it "name" or "address" or anything better than "InTEger". You might as well just write the language in Greek.

C/++, you're on notice!

C++ doesn't "do something on its own", the return type is required. "Void" is specific and helps avoid ambiguity.

How is "name" or "address" better than "int"? If "int" is "name" then what is "float"? What is "long"? Addresses are pointers, they are not integers.

It seems to me you have a grievance with C++'s level of control, while complaining about the lack of it.

If you have a problem with integers, go back to math class.

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Smartalex
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Joined: Apr 12, 2012
Age: 28
Posts: 249


PostPosted: Sat Oct 13, 2012 5:37 pm?? ?Post subject: Re: C/++, you're on notice! Reply with quote

MyFutureSelfnMe wrote:
Smartalex wrote:
Grievances with C;

I have to tell you NOT do do something?!? That's stupid. I'm the programmer, I tell you what to do.
"VOID" SETUP or "VOID" LOOP? I'll tell you what C, if I want you to bring me back a value, I, will tell YOU, to bring me back a value. Don't go doing stuff on your own!

INT, integer, really?!? The last time I paid attention to math class was fifth grade. Call it "name" or "address" or anything better than "InTEger". You might as well just write the language in Greek.

C/++, you're on notice!

C++ doesn't "do something on its own", the return type is required. "Void" is specific and helps avoid ambiguity.

How is "name" or "address" better than "int"? If "int" is "name" then what is "float"? What is "long"? Addresses are pointers, they are not integers.

It seems to me you have a grievance with C++'s level of control, while complaining about the lack of it.

If you have a problem with integers, go back to math class.

You do realize this is a rather humorour attempt at saying C has some wierd names right?

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MyFutureSelfnMe
Phoenix
Phoenix

Joined: Feb 27, 2010
Posts: 1219
Location: NYC


PostPosted: Sat Oct 13, 2012 5:39 pm?? ?Post subject: Re: C/++, you're on notice! Reply with quote

Smartalex wrote:
MyFutureSelfnMe wrote:
Smartalex wrote:
Grievances with C;

I have to tell you NOT do do something?!? That's stupid. I'm the programmer, I tell you what to do.
"VOID" SETUP or "VOID" LOOP? I'll tell you what C, if I want you to bring me back a value, I, will tell YOU, to bring me back a value. Don't go doing stuff on your own!

INT, integer, really?!? The last time I paid attention to math class was fifth grade. Call it "name" or "address" or anything better than "InTEger". You might as well just write the language in Greek.

C/++, you're on notice!

C++ doesn't "do something on its own", the return type is required. "Void" is specific and helps avoid ambiguity.

How is "name" or "address" better than "int"? If "int" is "name" then what is "float"? What is "long"? Addresses are pointers, they are not integers.

It seems to me you have a grievance with C++'s level of control, while complaining about the lack of it.

If you have a problem with integers, go back to math class.

You do realize this is a rather humorour attempt at saying C has some wierd names right?

Aspie Humor! Sometimes I get lost...

I don't find C's keywords weird, I think they're brief and to the point

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Smartalex
Sea Gull
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Joined: Apr 12, 2012
Age: 28
Posts: 249


PostPosted: Sat Oct 13, 2012 6:01 pm?? ?Post subject: Reply with quote

It's not actually C's fault.

Here's my problem, I purchased an arduino for my students, highschool, I'm a student teacher. I want to introduce the students to electronics and the programming process in the hopes that they can build things on their own, and have some ownership and pride. So the arduino uses C for the programs.

I don't really understand c that well but my students are having an even tougher time. The sad thing is, they get the board, the get the pin outs, it's that language that is tripping them up. I was told arduino is for "lay people."

Friday, I came in and I told the students to forget everything I tried to explain to them, "Integer is just a way of 'naming' a pin or a piece of information... And the Arduino's language is stupid, you have to tell it NOT to do something, that's why you write VOID in front of setup or loop, otherwise it's gonna search for some address or value". The kids got it. They started making stuff on their own or adapting projects.

I wish there was a language that was better for lay people, that was written in not percise technical terms that are accurate, but rather are in simple and conventional phrases. The phrases that C has that are more conventional such as SETUP, the kids got that. So it's not really C's, fault, it was designed for another purpose.

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Smartalex
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Joined: Apr 12, 2012
Age: 28
Posts: 249


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Source: http://www.wrongplanet.net/postt212508.html

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Search Forex ? Blog Archive ? Foreign Exchange Tips That ...

Business opportunities in the financial market are risky, and some are better than others. With the Forex market in particular, you?re looking at the world?s biggest financial currency trading platform. There are many opportunities for success within Foreign Exchange, and the following tips will help you capitalize on those opportunities.

Consider what your goals are for your career in forex trading and just how long you plan to continue trading. If you would like to do it over a long period of time, keep a list of all the standard practices that you have heard about. Focus on each different area for a month and then move on to the next specialization. Gaining that knowledge will establish you as a disciplined trader and investor, and that will benefit you for years.

If you want success, do not let your emotions affect your trading. You will lessen your likelihood of loss and you will not make bad decisions that can hurt you. You need to make rational trading decisions.

Stop loss orders are essential in limiting potential losses. It?s common for traders to make the mistake of holding on with a losing position, in hopes that the market will improve.

TIP! Start off with a smaller ?mini? account. This account is somewhat of a practice field that allows you to learn how the market fluctuates and evolves throughout the day, but still requires real money and brings in real profits.

Foreign Exchange is not a game. Anyone entering Foreign Exchange trading for the thrill of it will end up finding only disappointment. Anyone who wants to roll the dice with their money should visit a craps table, not the foreign exchange markets.

Practice all you can. Doing dummy trades in a lifelike environment and settings gives you a taste of what live forex trading is like. There are also a number of online tutorials of which you should take advantage. Prior to executing your initial real world trade, you should do everything possible to gain information and have a good understanding of the process.

Set your stop loss point and don?t budge. Figure out what stop point you are going with, before you start, and don?t change it. When you move a stop point, you are acting under the influence of stress or greed and are usually not making a rational decision. You can lose a lot by doing this.

TIP! Know the problems that trading software may have. Not all software is going to be perfect, even if it?s been out on the market for a long time.

A good way to work toward success when you are trading in foreign exchange is by becoming a trader with a very small account for a year or more. This way you can get a feel for what trades are a good idea, and which trades will lose you money.

It is essential to realize the risks of greatly leveraged forex trading. New traders can greatly increase their risk and lose a lot if they use these types of accounts. Be fully aware of the risks and benefits that you are involving yourself with.

Making excessive trades will cause your credit to dwindle, and will likely result in you having a meltdown! There are times when it is more appropriate to make fewer trades.

Are you interested in Forex trading? Before you begin this adventure, you need to understand how the market works in depth. Be aware of the fluctuations in currency markets and their causes. Know each currency individually and what causes an increase or decrease in their value. If you?re knowledgeable about the market, it?ll be easy for you to make smart choices that will make you money.

TIP! Remember to maintain control of your emotions. Remain calm.

The tips contain advice from experienced, successful foreign exchange traders. There is no way to guarantee success in trading, but studying these tips and putting them into practice will definitely give you an edge. If you take your trading efforts seriously, there is unlimited earning potential.

Source: http://search-forex.com/foreign-exchange-tips-that-everyone-should-know-about/

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Saturday, October 13, 2012

VIDEOPOETRY: A MANIFESTO by TOM KONYVES | In the Moment

ACKNOWLEDGEMENTS

Grateful thanks to all who made this possible.
In the spring of 1978, my friends Endre Farkas and Ken Norris, of our ?group of 7? ? The Vehicule Poets ? for their participation in my first videopoem, Sympathies of War. Herman Berlandt, Director of the San Francisco Poetry Film Workshop, who drew a line in the sand when he informed me that he wouldn?t look at Sympathies of War because ?We don?t recognize video. We work only in film.? Michael Konyves, aged 7, who performed as General Misunderstanding in Ubu?s Blues and held signs in See/Saw. Steve McCaffery. Stephen Morrissey, who published my essay on videopoetry in The Insecurities of Art, 1981. Heather Haley, Vancouver media artist, Visible Verse festival curator, faithful supporter for many years. Vancouver videopoet Susan Cormier, for her confidence in this work. Dean of Arts, Jacqueline Nolte, whose encouragement led to Word and Image, a course in visual creative writing at the University of the Fraser Valley. Brad Whittaker, Research Office, UFV. Kin spirit, George Aguilar, whose archive of video poems and cin(e)poetry in San Francisco was invaluable to my research. David Jhave Johnston, multimedia/digital poet of the exquisite short, for his funnybone and suggestions for order. Chicago video artist, e-poet and theoretician, Kurt Heintz, for the endless hours of inspired discussion. Richard Kostelanetz, for access to his home and his many works in and on this genre. Javier Robledo, organizer of the Videobardo Videopoetry Festival and Archive in Buenos Aires, for VIP hospitality and five days of screenings. William C. Wees, Professor Emeritus of English at McGill University in Montreal, editor of The Canadian Journal of Film Studies, for his generosity to discuss some aspects of this at length and introducing me to David Foster?s work on adapting poetry to film, Toronto filmmaker Richard Hancox? Waterworx, Peter Todd, filmmaker and curator of the London Film Poems Series, and Arthur Lipsett?s Very Nice, Very Nice. Al Razutis for Visual Essays. Thomas Zandegiacomo Del Bel, for access to the vast archive at the Zebra Poetry Film Festival in Berlin. The Hungarian connection, Tibor Papp, Paul Nagy and George Galantai?s amazing documentation and research centre, Artpool in Budapest. Eduard Escoffet, for his work in sonorous poetry in Barcelona. Lionel Kearns, a pioneer and friend, and Jim Andrews, vispo, for rescuing bp nichol?s First Screening. George Bowering, for his performance in Lost in the Library. Michael Snow, for So Is This. Toronto Intermedia artist, W. Mark Sutherland, for his encouragement from the start. Eric Cassar, for inventing the videohaiku. Visual poet and meta-blogger, Geof Huth, for asking all the right questions. Ron Silliman, L=A=N=G=U=A=G=E poet, critic, Poet Laureate of the Blogosphere, for the kick-start to this. Tony Trehy, for the Text Festival evening of videopoetry in Bury. UK artwriter extraordinaire, Tamarin Norwood, for her near-translations and in-sightful comments. Portuguese video artist, Rui Silveira, for translating Oyvind Fahlstr?m into a one-sentence videopoem. Finnish videopoet, Jani Sipila, for spreading the word. Eduardo Kac, multimedia, communications and biological artist, for including E.M. de Melo e Castro?s essay on videopoetry in MEDIA POETRY, Poetic Innovation and New Technologies. Fil Ieropoulos and Chris Funkhauser for historical analysis. Chicago poet, Francesco Levato for works from the Split This Rock Festival. Linden Ontjes, Larissa Moore, for access to Reel to Real, Seattle. Bart Testa for feedback and guidance concerning issues related to screen text. Alex Konyves, for his continued technical assistance. Martin Borycki, for mind-bending distractions. Jack Velvet, CITR, for providing hypnotic musical support. Gary Hill, whose early experiments were most instructive. Mel Vapour, East Bay Media Center, Berkeley. Enzo Minarelli, 3ViTre Archivio di Polipoesia, Cento, Italy. Parisian poet, researcher, Jean Pierre Balpe, for La Po?sie Vid?o ou Vid?o Po?sie. Dave Bonta, for the Moving Poems forum. Sarah Tremlett, for her continued support. German filmmaker Ralf Schmerberg, who proved that 19 poems from the German literary canon can be brought to the big screen as a feature film, Poem. Nico Vassilakis. J?r?me Game. Manuel Portela. Juan F. Egea. John M Bennett/Nicolas Carras. Gary Sherwin. Gary Barwin. Joel Baird. Caterina Davinio. Hubert Sielecki. Victoria Messi. Eric Gamalinda. Nick Carbo.
Special thanks to my wife, Marlene, my terra firma.

Source: http://critinq.wordpress.com/2012/10/13/videopoetry-a-manifesto-by-tom-konyves/

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The Great Meteor Grab

Yes, I know that, but the US (or anyone else) does not get to claim extraterrestrial bodies, so they are not (US) public land.

Now, I would not be surprised if some future law or Executive Order came about where we would treat asteroids as if they were public lands, but it isn't in place yet. And, I would look for a new treaty move along that time, to clear these matters up.

Also, note that Article 8 talks about "on a celestial body," but is silent about what happens _inside_ a celestial body. If you want to

Source: http://rss.slashdot.org/~r/Slashdot/slashdotScience/~3/6pLEdeIbfHE/the-great-meteor-grab

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Old adage 'sleep on it' is true -- but only if it's a really difficult problem, study shows

ScienceDaily (Oct. 12, 2012) ? A new study from Lancaster University has found that sleeping on a problem really can help people to find a solution.

The study, published online this week in the journal Memory & Cognition, tested whether sleep or time spent awake worked best in helping people find the solutions to a range of problem solving tasks.

Participants in the study -- 27 men and 34 women -- were asked to attempt easy and difficult verbal insight problems and, following a period of sleep, time spent wake, or no delay at all, the three groups of participants reattempted previously unsolved problems.

The sleep group solved a greater number of difficult problems than did the other groups, but no difference was found for easy problems.

The authors of the study -- Ut Na Sio, Padraic Monaghan and Tom Ormerod all from the Centre for Research in Human Development and Learning at Lancaster's Department of Psychology -- concluded that sleep facilitates problem solving but this has its primary effect for harder problems.

Professor Padraic Monaghan said: "We've known for years that sleep has a profound effect on our ability to be creative and find new solutions to problems. Our study shows that this sleep effect is greatest when the problems facing us are difficult. Sleep appears to help us solve problems by accessing information that is remote to the initial problem, that may not be initially brought to mind. Sleep has been proposed to 'spread activation' to the solution that is initially distant from our first attempts at the problem. The advice stemming from this and related research is to leave a problem aside if you're stuck, and get some sleep if it's a really difficult problem."

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Story Source:

The above story is reprinted from materials provided by Lancaster University, via AlphaGalileo.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.


Journal Reference:

  1. Ut Na Sio, Padraic Monaghan, Tom Ormerod. Sleep on it, but only if it is difficult: Effects of sleep on problem solving. Memory & Cognition, 2012; DOI: 10.3758/s13421-012-0256-7

Note: If no author is given, the source is cited instead.

Disclaimer: This article is not intended to provide medical advice, diagnosis or treatment. Views expressed here do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/living_well/~3/MyvDkIeMCxw/121012074741.htm

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Fettuccine Alfredo, Passive Pasta Cooking & Omelets with Judith ...

2012-10-11-FridayFlashback.jpgDoesn't warm and creamy fettuccine alfredo sound good right about now? From this time last year, we have a cooking lesson on how to make yourself a big bowl in no time. This, plus a kitchen tour with Judith Jones, a recipe for vegetarian lasagna (with a surprise ingredient!), a look at a passive method for cooking pasta, and much more.

PICTURED ABOVE, LEFT TO RIGHT
? How to Make Fettuccine Alfredo
? Vegetarian Lasagna with a Surprise Ingredient
? Rhiannon's Jadeite Jewel of a Kitchen
? Broaden Your Pie Horizons: Chess Pie
? Judith Jones Makes an Omelet for One (to Share)
? Chicken & Tomato No-Boil Pasta Bake

NOT PICTURED ABOVE
? Does Cooking Pasta Using the "Passive" Method Work?
? Jamie's Food Revolution: Huntington Schools 2 Years Later
? A Fair Way to Share Food
? Mac n' Cheese and More: Our 15 Most Popular Pasta Recipes
? Oops! Never Put Candle Holders in the Dishwasher
? 10 Easy Pasta Dishes with Bacon

Previous Friday Flashback: Cuatro Leches Cake, Best Fall Vegetable Dishes & Using Your Microwave

Source: http://www.thekitchn.com/fettuccine-alfredo-passive-pasta-cooking-omelets-with-judith-jones-178569

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